Ten Years of The Gun Show
Nate Cohen: It’s been ten years since you wrote The Gun Show. What led you to start writing it when you did? Ellen Lewis: For
Ottoman Theatre | HowlRound Theatre Commons
Marina: The third and final form of traditional theatre that we’ll talk about today is Meddah, which translates simply to “storyteller,” and it is just
Finding Open Channels’ Place in the Caribbean Cultural Landscape
In our 2023 meeting, these elements of popular theatre and social practices were not named as such but were present throughout the week we spent
Art as a Weapon (Youth Against Invasion), Part Two
Manatsu: Art does connect people. Yasmin, how do you build connections with other artists in other countries during these times? Yasmin: As you just said,
The Theatre Communications Group (TCG) National Conference
The TCG National Conference is one of the largest nationwide gatherings of the nonprofit theatre community. TCG has been gathering folks this way since 1976
From Perfectionism to Play with Malia’Kekia Nicolini
Malia’Kekia Nicolini: Growing up, I hear directors say, “Oh, just go play with it.” Sometimes that means, figure it out on your own. Sometimes it
Gender, Disability, Transmedia, and Balkan Folklore
In chatting with Mustatea, she shared that ielele is traditionally understood as a female forest creature in Balkan folklore whose eerie voices led men astray.
The Theatrical Jazz Conference | HowlRound Theatre Commons
Pillsbury House and Theatre (PH+T) is thrilled to present panels from the Theatrical Jazz Concert at The University of Minnesota that celebrates and extends the
The Triumph of Horus | HowlRound Theatre Commons
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
Quantum Leap with Renee Harrison
Renee Harrison: … For the industry. What if we dreamt even bigger without the fear of knowing what the theatre once was or without the