Nubian Theatre | HowlRound Theatre Commons
[ad_1] Nabra Nelson: Salam Alaikum, welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide.
The Moor I Want to Love
[ad_1] Othello breaks my heart. Every. Single. Time. Unlike many—scholars, directors, actors—who have given up on the Moor of Venice, I find myself returning to
The Beauty of Being Lost Is Like Honey on Watermelon
[ad_1] Thereafter, I got a job marketing theatre to the East African community. I thought, “I already spend so much time in the East African
I Designed a Series of Workshops to take back my body
[ad_1] Being a Muslim and an artist are two things that go hand in hand for me. Becoming an artist has been a purposeful, intentional
Ibn Daniyal and Puppetry | HowlRound Theatre Commons
[ad_1] Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide.
A Designer-Director-Dramaturg Dalliance | HowlRound Theatre Commons
[ad_1] Over four days we created a concept that empowered inclusivity and unbounded creativity. It also allowed us, for a short period of time, to
performingborders in Conversation with Rosa-Johan Uddoh and Party Office
[ad_1] performingborders is excited to invite you to join artists Rosa-Johan Uddoh and Party Office for an open online conversation exploring their upcoming performingborders commissions:
Ten Years of The Gun Show
[ad_1] Nate Cohen: It’s been ten years since you wrote The Gun Show. What led you to start writing it when you did? Ellen Lewis:
Ottoman Theatre | HowlRound Theatre Commons
[ad_1] Marina: The third and final form of traditional theatre that we’ll talk about today is Meddah, which translates simply to “storyteller,” and it is
Finding Open Channels’ Place in the Caribbean Cultural Landscape
[ad_1] In our 2023 meeting, these elements of popular theatre and social practices were not named as such but were present throughout the week we