Continuing the Legacy of Philip Arnoult
[ad_1] The first time I met Philip Arnoult was in a conference room at Towson University, during the first few weeks of my MFA in
Being an Ensemble Playwright on You On the Moors Now
[ad_1] Jeffrey Mosser: Welcome to another episode of the From the Ground Up podcast produced for HowlRound Theatre Commons, a free and open platform for
Experimental Film with Basma al-Sharif
[ad_1] Basma: Of course. Yeah. Very simply, it was a film that I made in reaction to the 2014 war, which at the time was
Curating the University Festival Circuit
[ad_1] Jeffrey Mosser: Welcome to another episode of the From the Ground Up podcast, produced for HowlRound Theatre Commons, a free and open platform for
Narrative Podcasts with Laila Abdo
[ad_1] Laila: With The Great Pyramid Scheme, I saw on Reddit this comment that just said, “What if there was a workplace comedy about building
Site-Specific Performance Art with Riham Isaac
[ad_1] So I felt that that movement was a little bit repetitive in a way. And it’s also very hard because these stones were a
Ensemble Principles in Collaboratives and Applied Theatre
[ad_1] Jeffrey Mosser: Welcome to another episode of the From the Ground Up podcast produced for HowlRound Theatre Commons, a free and open platform for
Disabled Theatre Artists Deserve Better Pathways into the Industry
[ad_1] Throughout my experiences working in both educational and professional theatre, I’ve noticed the lack of resources for disabled artists pursuing careers in the theatre
Edge Effect’s MOURNING MACHINE | HowlRound Theatre Commons
[ad_1] Mourning Machine is a low-stakes participatory ritual designed to honor the history and resilience of the NYC theater community/ies during a time of uncertainty
Arab Experimentalism and Futurism with Leyya Mona Tawil
[ad_1] Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide.