Feminist Performance Art with Rima Najdi
Rima: So when I say six months of research, it means that this is the budget that was planned for that. But most of my
Preserving and Transmitting American Ensemble-Based Theatre, Part Two: Presenter Perspectives
Jeffrey Mosser: Welcome to another episode of the From the Ground Up Podcast, produced for HowlRound Theatre Commons, a free and open platform for theatremakers
Twin Cities Funders and Theatres of Color Are Transforming Relationships, Part Two
This coalition also revealed disappointing yet predictable metrics. Bellamy reflects, “You can look at organizations over a ten-year period. I remember looking at a predominantly
RESISTANCE NOW! Republic of Love
Nationalist parties are on the rise across Europe, from the German AfD to the French Rassemblement National, from Hungary to Austria. They instrumentalize fears and
A.R.T. / New York 2024 Fall Forum
Whether you’re just starting out or a seasoned veteran, the A.R.T./New York Fall Forum has something to offer you. Disability Equity in the Room: A
Exploring Advocacy Strategies to Increase Works in Translation on United States Stages
This season’s Broadway hits have included plays translated from Russian (Anton Chekhov’s Uncle Vanya) and Norwegian (Henrik Ibsen’s An Enemy of the People). This might
1st Latinidades Arts Symposium | HowlRound Theatre Commons
This Symposium is a part of Cara Mia Theatre’s 5th Annual Latinidades Theatre Festival. Designed to support arts organizations and independent artists, the Symposium explored
The Harm of Teaching Commedia dell’arte to Contemporary Players
Observations on Acting with Stereotypes In my classroom, I found that my students played with less commitment when stereotypes of a character’s age, gender, intelligence,
How to Get Started Translating a Play
While the persistence and curiosity of a researcher is necessary for this step, serendipity also plays a part in this process. Translator and novelist Anton
Working in Circles from Translator to Kulturmittler
Translators Are Part of the Team Late last year, a literary theatre agency I have worked with a number of times wrote me that a